JULES ENGEL, POST-MODERNIST

JULES ENGEL, POST-MODERNIST

As regards the carte blanche for Light Cone, structured by Miguel Armas based on colour, here we have a textby the filmmaker and expert in visual music William Moritz about Jules Engel, one of the filmmakers present in the selection.  Jules Engel’s films,...
ANTHONY MCCALL ON LINE DESCRIBING A CONE

ANTHONY MCCALL ON LINE DESCRIBING A CONE

Line Describing a Cone was made in August 1973, a few months after I sailed from England to the United States. I had been thinking about it for nearly a year in London, I conceived it mid-Atlantic, and I produced it in New York. By 1973, I had already made a number of...
BARBARA STERNBERG: MIDST

BARBARA STERNBERG: MIDST

The second session dedicated to Sternberg’s work covers another of her feature films, Midst (1997). Below is part of the interview that the filmmaker Mike Hoolboom (who has done significant work documenting experimental cinema) did with her about her films in...
BARBARA STERNBERG. BEATING

BARBARA STERNBERG. BEATING

In the first session we are dedicating to Barbara Sternberg, she presents one of her most devastating works: Beating (1995). Below, there is an excerpt from the interview “Barbara Sternberg in the 90s, an interview”, where the filmmaker Mike Hoolboom breaks down some...