by Alicia | May 31, 2022 | Featured, Interviews
Whereas in the special Camera Obscura we dedicated to Alexandre Larose back in 2020 we were able to familiarise ourselves with his fascinating work processes, in 2022 we will finally be able to see the equally fascinating results of those processes on the screen. A...
by Alicia | May 30, 2022 | Articles, Featured
The Argentine filmmaker, researcher, translator and editor Pablo Marín writes about one of the films by the Austrian Philipp Fleischmann that we will be seeing in this year’s (S8). Two lines split a cinema screen down the middle. They cut it horizontally and then...
by Alicia | May 30, 2022 | Articles, Featured
One of the films that guides us into outer space and into the mental space we claim for ourselves in this year’s programme of the same name is Jordan Belson’s Allures. Below, we present the text that Gene Youngblood dedicates to it in his legendary book Expanded...
by Alicia | May 30, 2022 | Featured, Interviews
To mark the programme we are dedicating to Ute Aurand, “The tonality of days”, we are recovering this conversation between the filmmakers about her film Terzen (Programme 1), which is a compilation of what Aurand filmed throughout almost the entire decade...
by Alicia | May 26, 2022 | Featured, News
Mientras que en la mesa “Entre el haz de luz y la pantalla. Programar cine experimental hoy” estarán presentes Angelika Ramlow (Alemania), Ieva Balode (Letonia), Bryan Konefskyy (EEUU) y Scott Miller Berry (Canadá); en la “Mesa Proxecta. La inclusión social en los...
