by Nela Fraga | Jun 9, 2018 | Interviews
How did you start to deal with personal things in your films? I had a teacher, Rick Hancox, who discussed how in order to make a film about the world, your first need to look at yourself. I had a lot of family photographs and I decided that I would go into these...
by Nela Fraga | Jun 7, 2018 | Articles
By Manohla Dargis There are a multiplicity of adjectives that fit Ernie Gehr’s experimental film and digital work: abstract, beautiful, mysterious, invigorating, utopian. The work can also be oblique; this is not a bad thing! His 14-minute film History (1970), to take...
by Nela Fraga | Jun 6, 2018 | News
In this edition of (S8) the Film Farm travels to Coruña with Philip Hoffman, who will give a four-day workshop under the philosophy of what he calls the Process Cinema. With 16mm film as guide medium, and processing with ecological materials such as wildflowers and...
by Nela Fraga | Jun 5, 2018 | Interviews
“Most of the experimental work demands something from the audience: patience, interpretation, mixed feelings. People aren’t used to that and get frustrated and impatient. But, if you are ready to search your expectations, you would experience much deeper levels of...
by Nela Fraga | Jun 4, 2018 | Interviews
Tell us about your first works and your link with A Coruña. The proposal of Le Paradis is about recovering my first works in front of the camera, not behind, and closing this circle to relate them to the time when I still lived in Galicia since I was partly working...
