by Nela Fraga | Jun 7, 2018 | Articles
By Manohla Dargis There are a multiplicity of adjectives that fit Ernie Gehr’s experimental film and digital work: abstract, beautiful, mysterious, invigorating, utopian. The work can also be oblique; this is not a bad thing! His 14-minute film History (1970), to take...
by Nela Fraga | Jun 6, 2018 | News
In this edition of (S8) the Film Farm travels to Coruña with Philip Hoffman, who will give a four-day workshop under the philosophy of what he calls the Process Cinema. With 16mm film as guide medium, and processing with ecological materials such as wildflowers and...
by Nela Fraga | Jun 5, 2018 | Interviews
“Most of the experimental work demands something from the audience: patience, interpretation, mixed feelings. People aren’t used to that and get frustrated and impatient. But, if you are ready to search your expectations, you would experience much deeper levels of...
by Nela Fraga | Jun 4, 2018 | Interviews
Tell us about your first works and your link with A Coruña. The proposal of Le Paradis is about recovering my first works in front of the camera, not behind, and closing this circle to relate them to the time when I still lived in Galicia since I was partly working...
by Nela Fraga | Jun 3, 2018 | Interviews
THE FILM AND THE EXPERIMENTAL CINEMA When I started at university we would work mostly on video but thinking about working on film. Video was not a semi-professional medium, it was used in television. Perhaps when Dogma began in the 90s it began to be used in another...
