Tono Mejuto presents in the (S8) Reliefs: a stereoscopic symphony of the city of Toronto built in the first BAICC residence. Both in Reliefs and in the work presented last year, Quiasma, there is a concern to address the temporal, through, for example, the overlapping...

How did your interest in structural cinema begin? Studying third of Fine Arts at the University of Barcelona, during 1999, when Eugeni Bonet taught a subject called Theory and history of experimental cinema. Also watching films from the Shoot, Shoot, Shoot program...

by Dietmar Schwärzler and Sylvia Szely A fragment of the interview published in the special (S8) of the magazine Lumière. If you want to read the complete interview: elumiere.net/exclusivo_web/s82018 How did you get to film practice? Have you been working as a...

"My name is Phil Hoffman. Filmmaker and teacher from Canada. Tonight I’ll be screening early autobiographical works. Films that were made with the idea that, in order to make a film about the world you need to first understand yourself. Understand your tools as well...