by editorialweb | Jun 9, 2019 | Interviews
The Co-op + Creating & Exhibiting Art My background, my influences were not from film, from cinema. I mean, I knew cinema very well, and in London, as a student, I saw all the Godard, Antonioni… the new-wave, and the supposed advanced cinema, but I wasn’t so...
by editorialweb | Jun 9, 2019 | Interviews
Painting and Natural History When I was making artwork, originally I was interested in painting. But then I felt that painting was too static, and somehow the end result was not reflective of all the processes of thinking that were going on in my mind, obviously, in...
by editorialweb | Jun 9, 2019 | Interviews
Experimenting with the material and trying to find new images plays a major role in most of your films. Where does that come from? Well, one looks for a way to express things. I always thought: if you have a camera, and you buy a lens for it, all your pictures will...
by editorialweb | Jun 8, 2019 | Interviews
You’re a filmmaker and a preservationist, or, as you have said yourself, “an accidental preservationist”. How did you start preserving and restoring film? When I started making films, my first jobs were in animation, with an animator camera. That led me to thinking...
by editorialweb | Jun 8, 2019 | Interviews
How did you get to specialize in experimental films? I’ve been a film lover since I was pretty young. And most people that get very passionate about film usually start with the more obvious stuff, the classics, or the new exciting movies when you’re young, and that...
