By Byron Davies Has Mexican experimental film come full-circle, found its “secret formula”? In a foundational 1998 exhibition catalog essay for their traveling program Cine Mexperimental, Rita González and Jesse Lerner describe Rubén Gámez’s 1965 baroque anti-gringo...
KENNETH ANGER: HOW I MADE LUCIFER RISING
Interview by Chris Michael The director of the 1966 occult classic talks about how an anti-British massacre paid for his film, and the debt it owes to Jimmy Page and a bunch of jailed killers This was the first really big film...
NARCISA HIRSCH: PORTRAIT OF AN ARTIST AS A HUMAN BEING
The processes that go into the work of making a festival and shaping its spirit are sometimes hidden from view, because what finally appears on the surface is what the public gets to see on the days of the event itself. In the case of our relationship with Narcisa...
AMY HALPERN FOREVER
A few days ago we received news that was hard to believe: that Amy Halpern had passed away. It was hard to believe because only a couple of months ago in Coruña she had been demonstrating a magnetic, inexhaustible energy. She presented two sessions of her films: one...
LEAH SINGER & LEE RANALDO. STEADY EXPLOSIONS
In addition to the performance Contra Jour, which closes this year’s festival, we will get the chance to see a handful of films by Leah Singer and Lee Ranaldo from recent decades, preceded by a conversation with the artists. Singer and Ranaldo's association began in...
BALTIC ANALOG LAB. PHOTOCHEMICAL EXISTENTIALISM
Ieva Balode, one of the founders of the self-managed Latvian Baltic Analog Lab, brings us a carte blanche with some of the most exciting work created by the collective. Founded in 2016, the laboratory’s activity ranges from production to education and organising...
CARTE BLANCHE: ARSENAL (BERLIN). THE CANTRILLS AND THREE-COL...
Among the many gems brought to us by Arsenal's carte blanche through Angelika Ramlow, there are two films by the Australian filmmaker duo Corinne and Arthur Cantrill (whose work has also been recovered and restored by Arsenal). They are Notes on the Passage of Time...
AMY HALPERN. THE WOMAN WHO WAS ALWAYS THERE
Sombras extravagantes, created and directed by Ariadna Solera and Álex Pena Morado, is one of the freshest and funniest podcasts on experimental and auteur cinema one can find: with depth and enthusiasm, they have been dedicating entire programmes to different events...
SINAIS. ALIVE!
With the clear vision of cinema that inspires us, and the importance of appreciating and giving space to the past and to international creators, through (S8) we also realise the urgent need to bring together the people who are creating here and now, and to open up new...









