Where does come from your interest in phantasmagorias? Can you tell us a bit more about Étienne-Gaspard Robert and how his work relates to yours? We were reading about pre-cinematic forms and the different types of magic lantern shows that were developed before the...
"I’m Pablo Mazzolo, Argentinian filmmaker. I’m here to present a programe with my films and a peformance. The performance will show an indirect connection to the previous one, by Tono Mejuto: an interesting mix between 3D and 2D. Performances are always different,...
"I’m Tono Mejuto. Tonight at 23pm I’ll be presenting the film performance Reliefs at Seoane. It’s the result of the project of artistic residencies BAICC. An stereoscopic 3D film in 16mm about Toronto city, in three acts. A sort of sypmhony of the city. I hope you can...
Tono Mejuto presents in the (S8) Reliefs: a stereoscopic symphony of the city of Toronto built in the first BAICC residence. Both in Reliefs and in the work presented last year, Quiasma, there is a concern to address the temporal, through, for example, the overlapping...
How did your interest in structural cinema begin? Studying third of Fine Arts at the University of Barcelona, during 1999, when Eugeni Bonet taught a subject called Theory and history of experimental cinema. Also watching films from the Shoot, Shoot, Shoot program...
by Dietmar Schwärzler and Sylvia Szely A fragment of the interview published in the special (S8) of the magazine Lumière. If you want to read the complete interview: elumiere.net/exclusivo_web/s82018 How did you get to film practice? Have you been working as a...
"My name is Phil Hoffman. Filmmaker and teacher from Canada. Tonight I’ll be screening early autobiographical works. Films that were made with the idea that, in order to make a film about the world you need to first understand yourself. Understand your tools as well...