More than 8,000 people were able to enjoy an (S8) festival that screened more than 180 films from a dozen different countries, including 25 that were international premieres and 41 Spanish ones, in addition to five completely new film performances that were held in...
ZULETA’S B SIDE
Josetxo Cerdán, curator of the A/Z: Zulueta inédito (A–Z: Zuleta unreleased) cycle (which is continuing every Friday in June at the Filmoteca de Galicia) and director of the Filmoteca Española at the time the Zulueta archive was acquired which has given rise to the...
HANGJUN LEE. THE PROJECTOR AS INSTRUMENT
Experimental Film in Korea Except in Japan, in all the Asian countries is kind of the same: We don't have a proper education, we don't really have a proper archive or other infrastructure to understand experimental cinema. I attended a film workshop only for narrative...
JULES ENGEL, POST-MODERNIST
As regards the carte blanche for Light Cone, structured by Miguel Armas based on colour, here we have a textby the filmmaker and expert in visual music William Moritz about Jules Engel, one of the filmmakers present in the selection. Jules Engel's films, uniquely...
ANTHONY MCCALL ON LINE DESCRIBING A CONE
Line Describing a Cone was made in August 1973, a few months after I sailed from England to the United States. I had been thinking about it for nearly a year in London, I conceived it mid-Atlantic, and I produced it in New York. By 1973, I had already made a number of...
MEETING OF EXPERIMENTAL FILM PUBLISHERS. A POCKET CONSTELLAT...
Thanks to La Vida Útil, one of the publishers invited to our meeting of experimental film publishers on Sunday 4th June (together with Lumiére, Stereo Editions, Eyewash Books, Black Box and Hatje Cantz), we are publishing a fragment of Una luz revelada. El cine...
BARBARA STERNBERG: MIDST
The second session dedicated to Sternberg's work covers another of her feature films, Midst (1997). Below is part of the interview that the filmmaker Mike Hoolboom (who has done significant work documenting experimental cinema) did with her about her films in the...
BARBARA STERNBERG. BEATING
In the first session we are dedicating to Barbara Sternberg, she presents one of her most devastating works: Beating (1995). Below, there is an excerpt from the interview “Barbara Sternberg in the 90s, an interview”, where the filmmaker Mike Hoolboom breaks down some...
SINAIS: PENINSULAR ECOSYSTEMS
This Thursday 1st, Friday 2nd and Saturday 3rd June you will be able to see the three programmes we are dedicating to our Sinais section, which this year is extending its field of action to Spain and Portugal in an effort to include what is happening in the world of...