by Alicia | May 8, 2022 | 03 june 2022, By activity 2022, By day 2022, Didactic 2022, Program 2022, Program 2022, Programa 2022, Programa 2022
MASTER CLASS AMY HALPERN. AULACREA INFLECTING THE IMAGE WITH SOUND, INFLECTING SILENCE WITH THE IMAGE Sala (S8) Palexco | Friday June 3rd | 12.30 p.m. | Free entry to all venues until full capacity | Live streaming HERE In this master class, we will get the chance to...
by Alicia | May 8, 2022 | 27 may 2022, 28 may 2022, 29 may 2022, By activity 2022, By day 2022, Didactic 2022, Overflows 2022, Program 2022, Program 2022, Programa 2022, Programa 2022
INTENSIVE LABORATORY WORKSHOP: FROM THE CAMERA TO THE COPY RICHARD TUOHY + DIANNA BARRIE Australian experimental filmmakers Dianna Barrie and Richard Tuohy are two international champions of photochemical cinema. They have literally travelled the world showing...
by Alicia | May 7, 2022 | 04 june 2022, By activity 2022, By day 2022, Professional meetings 2022, Program 2022, Program 2022, Programa 2022, Programa 2022
BETWEEN THE LIGHT BEAM AND THE SCREEN. PROGRAMMING EXPERIMENTAL CINEMA TODAY OBSERVATORIO Sala (S8) Palexco | Saturday June 4th | 11 a.m. | Free entry to all venues until full capacity | Live streaming HERE On understanding the importance of defending such a fragile...
by Alicia | May 7, 2022 | By activity 2022, Professional meetings 2022, Program 2022, Program 2022, Programa 2022, Programa 2022
PROFESSIONAL MEETINGS INPUT INPUT is a tutoring and consultancy space for film projects in progress arising from the collaboration between the Luis Seoane Foundation and the (S8) Mostra Internacional de Cinema Periférico festival, through which three filmmakers will...
by Alicia | May 7, 2022 | 28 may 2022, By activity 2022, By day 2022, Professional meetings 2022, Program 2022, Program 2022, Programa 2022
PROXECTA PANEL. SOCIAL INCLUSION IN FILM FESTIVALS OBSERVATORIO Domus | Saturday May 28th | 6 p.m. | Free entry to all venues until full capacity. It will not be possible to enter the venues after the screening has started. Film festivals cannot be a space detached...
